Review: The Magnificent Seven

Review: The Magnificent Seven

While it’s admirable that the filmmakers forged their own path, it’s also lamentable in that, overall, these men aren’t nearly as interesting or as memorable as the 1960 models.

Review: Blair Witch

As expected, Blair Witch is also presented in the “found footage” format, which was fresh back in ’99 but by now has grown exceedingly stale with its overuse in cinema. In fact, “stale” pretty much describes every aspect of this film.

Review: Snowden

The film clearly views Snowden as a hero rather than a traitor, and it cuts no slack for anyone on either side of the political aisle.

Review: Bridget Jones's Baby

As the plot complications pile up, so do the opportunities for Zellweger and an ace supporting cast.

Review: Sully

Most films need some semblance of villainy to provide dramatic tension, and here it comes in the form of a panel of National Transportation Safety Board investigators determined to prove that a water landing wasn’t necessary and Sully could easily have made it back to LaGuardia.

Review: Sausage Party

What’s particularly noteworthy about the picture is not so much its crude comic content (some of it rather insipid) but the weightier thematic elements that envelop the storyline. Sausage Party is about nothing less than existential angst, spiritual fulfillment, and the search for a higher power in a potentially Godless universe.

Review: Ben Hur

What’s most shocking about Ben-Hur is how thoroughly it bungles the two most iconic and riveting sequences from the 1959 original.

Review: Jason Bourne

This fourth entry in the series (fifth if one includes that offshoot starring Jeremy Renner) works for a surprisingly lengthy amount of time until it finally, perhaps irrevocably, runs out of steam.

Review: Star Trek Beyond

This third entry manages to travel at warp speed when it comes to delivering a satisfying mix of action, exposition, effects and — here’s the real key — characterization.

Review: Suicide Squad

While it stands to make a fortune at the box office, it’s unlikely to make much of a dent in the hearts of even its most ardent supporters, the sort who insist that critics are being handsomely paid off by Marvel to trash DC adaptations (chuckle over that one as I step away to fuel my private jet) or who start petitions to shut down Rotten Tomatoes because they don’t like seeing an abundance of poor reviews.

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