Favorite

New releases 

3:10 To Yuma

3:10 To Yuma ***

3:10 to Yuma proves to be a rarity among remakes. It doesn’t slavishly copy the original, nor does it update it for modern times. It’s respectful of its predecessor, and when it does make changes from the existing template, they aren’t preposterous or pandering -- rather, they merely take another logical path than the one employed in the previous version. Based on a short story by Elmore Leonard, the 1957 3:10 to Yuma retains its status as a solid Western, typical of the psychologically rooted oaters that emerged in force during that decade. Adding roughly a half-hour to the original’s 92-minute running time, the new take, directed by Walk the Line’s James Mangold, includes more characters and more action sequences, but it takes care not to water down the battle of wills between its two leading characters.

In Glenn Ford’s old role, Russell Crowe plays Ben Wade, a notorious outlaw who’s finally captured by the authorities and scheduled to be transferred via train to the prison in Yuma, Arizona. Dan Evans (Christian Bale in the Van Heflin part) is a rancher by nature -- he’s so mild-mannered that his own wife (Gretchen Mol) and son (Logan Lerman) are often disappointed in him -- but because he’s about to lose his home and cattle, he agrees to help transport Wade for $200. Yet while Wade may appear to be the captive, he’s in many ways the one in charge, charming Dan’s family, killing the armed escorts who rub him the wrong way, and keeping Dan on edge with his taunts and bribes.

Crowe pours on his bad-boy charisma as Ben Wade, milking it for maximum effect, while Bale embodies the noblest traits that can possibly be found in such a disreputable arena as the Old West. The strong supporting cast is headed up by Peter Fonda as Byron McElroy, a leathery bounty hunter whose past assignments (including the massacre of Native American women and children) qualifies him as one sleazy rider.

The Eleventh Hour **

In exactly which universe could Al Gore possibly emerge as a more charismatic screen presence than Leonardo DiCaprio? In our own, it seems. DiCaprio has long proven himself to be a sincere environmentalist (he was a logical choice to share the stage with Gore at this year’s Academy Awards ceremony), yet good intentions don’t always make for good movies. Case in point: The 11th Hour, in which DiCaprio (who serves as producer and narrator) looks at the fragile condition of this planet and makes some suggestions on how to improve our quality of life before it’s too late.

Unlike the Oscar-winning An Inconvenient Truth, in which Gore shocked everyone by revealing himself as an appealing teacher while passing along a wealth of knowledge in a colorful and easy-to-digest manner, this dry documentary relies on a monotonous DiCaprio and 55 talking heads (yes, 55; I counted the names in the end credits) to relay soundbites of scientific data, much of which many of us already knew (if this film was a book, it’d be called Environmentalism for Dummies). This is clearly a case of too many cooks spoiling the organic broth: Whereas, for example, An Inconvenient Truth and Who Killed the Electric Car? focused on specific issues and explored them in depth, this dull film is too scattershot to make much of an impression -- or impact.

As a PSA, The 11th Hour is an extremely important work, but as a motion picture, it’s ripe for recycling.

Favorite

More by Matt Brunson

Comments

Subscribe to this thread:

Add a comment

Connect Today 03.24.2017

Latest in Film Reviews

  • Review: Wilson
  • Review: Wilson

    Sentiment quickly takes the place of cynicism, and, despite the occasional flash of brutal wit, the film settles into a well-worn groove of indie preciousness.
    • Mar 21, 2017
  • Review: Beauty and the Beast
  • Review: Beauty and the Beast

    The plot remains fundamentally unchanged from the ’91 model, and the narrative diversions that have been added along the way are acceptable and sometimes even manage to enhance particular points from its predecessor.
    • Mar 21, 2017
  • Review: Logan
  • Review: Logan

    The film is crucially missing a worthy villain of note – and when the scripters run out of ideas, they paraphrase Stephen Sondheim and elect to send in the clones. This latter decision renders the action sequences even more rote and less interesting.
    • Mar 7, 2017
  • More »

The Most: Read | Shared | Comments

Movies This Week

More Filmtimes

or

Right Now On: Twitter | Facebook

Copyright © 2017, Connect Savannah. All Rights Reserved.
Website powered by Foundation