Favorite

Review: The Hobbit: The Battle of the Five Armies 

hobbit.jpg

HE HOBBIT: THE BATTLE OF THE FIVE ARMIES

OOO

As a fellow film fan recently confided, going to see The Hobbit: The Battle of the Five Armies feels more like fulfilling a mandatory commitment than attending a must-see movie event. It's an understandable sentiment that's been echoed by many, seeing as how Peter Jackson's second Middle-earth trilogy frequently came across as little more than that proverbial ugly red-headed stepchild to the filmmaker's Oscar-adorned The Lord of the Rings saga. The previous Hobbit yarns, An Unexpected Journey and The Desolation of Smaug, were more than decent, but for all their CGI splendor, they lacked the epic ambition and oversized emotion of the Frodo flicks. Thus, the sense among certain viewers is that, like Bilbo Baggins, they've come this far, so they might as well finish the trips to the multiplex.

These viewers are in for a pleasant surprise. The Battle of the Five Armies is, by a dwarf hair, the best of the trio, wrapping up the story in satisfactory fashion while investing the proceedings with some genuine pathos along the way.

Yes, it's The Treasure of the Sierra Madre with Thorin Oakenshield (Richard Armitage) subbing for Fred C. Dobbs, but there's real empathy to be felt in watching Bilbo (Martin Freeman) attempt to bring his friend Thorin back from the dark side. There's also a lot of heart in the budding romance between dwarf Kili (Aidan Turner) and elf Tauriel (Evangeline Lilly), as well as rooting interest in Bard (Luke Evans) becoming the reluctant leader of the human contingent. And if there's a feeling of deja vu whenever the action shifts to Gandalf (Ian McKellen) once again puttering across the landscape or yakking with other wizards, it's offset by the segments featuring the Orc Azog (Manu Bennett), one of the most imposing of all recent movie villains.

So after a span of 14 years and six movies, Jackson's finally done with J.R.R. Tolkien. Unless, of course, he suddenly decides to bring The Silmarillion to the screen, in which case an intervention might be required.

Favorite

More by Matt Brunson

  • Review: John Wick Chapter 2
  • Review: John Wick Chapter 2

    Keanu Reeves is again suitably taciturn as the former assassin who, just when he thought he was out, gets pulled back in, and the criminal world created for the first picture — a landscape in which there exists neutral-zone hotels in which no blood may be spilled – retains its unique appeal.
    • Feb 14, 2017
  • Review: Fifty Shades Darker
  • Review: Fifty Shades Darker

    The major liabilities of the first picture have been neatly carried over into this latest endeavor, beginning with the fact that the general prudishness permeating throughout American society makes it impossible for Hollywood to produce an honest, provocative or explicit film about S-E-X and have it receive an R rating.
    • Feb 14, 2017
  • Review: The Comedian
  • Review: The Comedian

    Robert De Niro is in fine form here, particularly when he’s taking no prisoners in his stand-up routines.
    • Jan 31, 2017
  • More »

Comments

Subscribe to this thread:

Add a comment

Connect Today 02.23.2017

Movies This Week

More Filmtimes

or

Right Now On: Twitter | Facebook

Copyright © 2017, Connect Savannah. All Rights Reserved.
Website powered by Foundation