Favorite

The Last Song, Clash of the Titans 

THE LAST SONG

*1/2

Steve McQueen, Sally Field and George Clooney are among the many actors who successfully transitioned from the small screen to the large one (and don't forget that fellow named Clint), but Miley Cyrus seems more likely to join the ranks of Kirk Cameron, Tony Danza and the Olsen twins, thespians who attempted to make the leap but fell short by about
10 miles.

In this adaptation of the Nicholas Sparks novel, the Disney Channel product stars as Ronnie, a brooding teen who's none too thrilled that she's forced to spend the summer with her father (Greg Kinnear) at his beachside home (filming took place in Savannah and Tybee Island). Still angry at him for divorcing her mom (the ageless Kelly Preston), she shows her disapproval by turning down acceptance at Julliard, refusing to eat dinner with him, and perpetually pouting whenever she's in his presence (that'll teach him!).

Initially, Cyrus' character is supposed to be this anti-establishment rebel, but the actress suggests "punk" about as much as Wubbzy. At any rate, she eventually mellows out after meeting local hottie Will (Liam Hemsworth), a jock from a rich family. From here, the film slogs its way through the usual hoary conventions, including Will's snotty circle objecting to Ronnie's lack of wealth and prestige and the sudden terminal disease sprung on one of the principal players.

Cyrus isn't quite ready for her big-screen close-up, as evidenced by her clumsy pauses (as if she expects canned sit-com reactions after her every utterance) as well as her exaggerated enunciation that's more suited to the boob tube. But let's not be too rough on the child: It's hard to put one's best foot forward when dealing with a script that's the literary equivalent of cement shoes.

CLASH OF THE TITANS

**1/2

3-D or not 3-D -- that's not even a question as far as Clash of the Titans is concerned. In the wake of Avatar's phenomenal success, studios are shamelessly slapping the 3-D format onto whatever pictures are in the can, failing
to take into account that Avatar's visuals were so stunning because the picture was shot in 3-D. Clash of the Titans represents the laziest use of the process to date: I repeatedly removed my special glasses during the screening and could scarcely tell any difference between 2-D and 3-D.

My advice? Avoid any theater charging more to see this in 3-D; it's not worth the extra cash.

As to whether the film itself is worth seeing in any format, that's a closer call. Fans of the 1981 original won't find many improvements here: Ray Harryhausen's lovingly crafted stop-motion effects have been swapped out for the usual CGI sound and fury; the ingratiating sense of camp has been obliterated, replaced by a solemnity signaled by furrowed brows and stone faces (and not just on those who encounter Medusa); and the amusing banter between the gods (played by the likes of Laurence Olivier and Maggie Smith) is noticeably MIA.

On its own terms, however, the film is passable spectacle.As Perseus, the mortal son of Zeus (Liam Neeson) who must thwart Hades (Ralph Fiennes) by defeating a string of ghastly beasts and saving both a city and its princess (Alexa Davalos), Avatar's Sam Worthington is merely OK (the reason for his high demand continues to elude me), but
his character is backed by a colorful assortment of warriors who make his journey memorable. Fiennes' portrayal of Hades may not fall far from the Voldemort tree, but he nevertheless cuts a menacing figure.

And while most of the mythical creatures (Medusa, the Kraken) pale next to Harryhausen's achievements, the monstrous scorpions prove to be an exception, and superb FX work allows their battle with the humans to emerge as the film's action highlight.Those hoping for a Harry Hamlin sighting (he played Perseus in the original) will be left hanging, but rest assured that there's a clever cameo appearance by another vet of the '81 release. It would be cruel and unfair to viewers to ruin the scene here (clue: it involves a non-human character), but it's an amusing gag, and it slices through the rest of the picture's glumness with the precision of a sword crafted by Zeus himself.

 

 

Favorite

More by Matt Brunson

  • Review: Moana
  • Review: Moana

    Again combining a fairly standard morality tale with eye-popping visuals, Disney has another hit in Moana, a rollicking yarn centered on a young lass (voiced by Auli’i Cravalho) coming of age on a South Pacific island.
    • Nov 29, 2016
  • Review: Manchester By The Sea
  • Review: Manchester By The Sea

    A film that cuts close to the bone, with gentle humor only occasionally serving as a buffer against the harsh realities of these characters’ lives.
    • Nov 29, 2016
  • Review: Arrival
  • Review: Arrival

    A motion picture that turns out to be far more focused on humanity than on otherworldly visitors, it’s a transcendent viewing experience that gets under the skin and into the heart.
    • Nov 15, 2016
  • More »

Comments

Subscribe to this thread:

Add a comment

Connect Today 12.04.2016

Movies This Week

More Filmtimes

or

Right Now On: Twitter | Facebook

Copyright © 2016, Connect Savannah. All Rights Reserved.
Website powered by Foundation