Favorite

The Last Song, Clash of the Titans 

THE LAST SONG

*1/2

Steve McQueen, Sally Field and George Clooney are among the many actors who successfully transitioned from the small screen to the large one (and don't forget that fellow named Clint), but Miley Cyrus seems more likely to join the ranks of Kirk Cameron, Tony Danza and the Olsen twins, thespians who attempted to make the leap but fell short by about
10 miles.

In this adaptation of the Nicholas Sparks novel, the Disney Channel product stars as Ronnie, a brooding teen who's none too thrilled that she's forced to spend the summer with her father (Greg Kinnear) at his beachside home (filming took place in Savannah and Tybee Island). Still angry at him for divorcing her mom (the ageless Kelly Preston), she shows her disapproval by turning down acceptance at Julliard, refusing to eat dinner with him, and perpetually pouting whenever she's in his presence (that'll teach him!).

Initially, Cyrus' character is supposed to be this anti-establishment rebel, but the actress suggests "punk" about as much as Wubbzy. At any rate, she eventually mellows out after meeting local hottie Will (Liam Hemsworth), a jock from a rich family. From here, the film slogs its way through the usual hoary conventions, including Will's snotty circle objecting to Ronnie's lack of wealth and prestige and the sudden terminal disease sprung on one of the principal players.

Cyrus isn't quite ready for her big-screen close-up, as evidenced by her clumsy pauses (as if she expects canned sit-com reactions after her every utterance) as well as her exaggerated enunciation that's more suited to the boob tube. But let's not be too rough on the child: It's hard to put one's best foot forward when dealing with a script that's the literary equivalent of cement shoes.

CLASH OF THE TITANS

**1/2

3-D or not 3-D -- that's not even a question as far as Clash of the Titans is concerned. In the wake of Avatar's phenomenal success, studios are shamelessly slapping the 3-D format onto whatever pictures are in the can, failing
to take into account that Avatar's visuals were so stunning because the picture was shot in 3-D. Clash of the Titans represents the laziest use of the process to date: I repeatedly removed my special glasses during the screening and could scarcely tell any difference between 2-D and 3-D.

My advice? Avoid any theater charging more to see this in 3-D; it's not worth the extra cash.

As to whether the film itself is worth seeing in any format, that's a closer call. Fans of the 1981 original won't find many improvements here: Ray Harryhausen's lovingly crafted stop-motion effects have been swapped out for the usual CGI sound and fury; the ingratiating sense of camp has been obliterated, replaced by a solemnity signaled by furrowed brows and stone faces (and not just on those who encounter Medusa); and the amusing banter between the gods (played by the likes of Laurence Olivier and Maggie Smith) is noticeably MIA.

On its own terms, however, the film is passable spectacle.As Perseus, the mortal son of Zeus (Liam Neeson) who must thwart Hades (Ralph Fiennes) by defeating a string of ghastly beasts and saving both a city and its princess (Alexa Davalos), Avatar's Sam Worthington is merely OK (the reason for his high demand continues to elude me), but
his character is backed by a colorful assortment of warriors who make his journey memorable. Fiennes' portrayal of Hades may not fall far from the Voldemort tree, but he nevertheless cuts a menacing figure.

And while most of the mythical creatures (Medusa, the Kraken) pale next to Harryhausen's achievements, the monstrous scorpions prove to be an exception, and superb FX work allows their battle with the humans to emerge as the film's action highlight.Those hoping for a Harry Hamlin sighting (he played Perseus in the original) will be left hanging, but rest assured that there's a clever cameo appearance by another vet of the '81 release. It would be cruel and unfair to viewers to ruin the scene here (clue: it involves a non-human character), but it's an amusing gag, and it slices through the rest of the picture's glumness with the precision of a sword crafted by Zeus himself.

 

 

Favorite

More by Matt Brunson

  • Review: John Wick Chapter 2
  • Review: John Wick Chapter 2

    Keanu Reeves is again suitably taciturn as the former assassin who, just when he thought he was out, gets pulled back in, and the criminal world created for the first picture — a landscape in which there exists neutral-zone hotels in which no blood may be spilled – retains its unique appeal.
    • Feb 14, 2017
  • Review: Fifty Shades Darker
  • Review: Fifty Shades Darker

    The major liabilities of the first picture have been neatly carried over into this latest endeavor, beginning with the fact that the general prudishness permeating throughout American society makes it impossible for Hollywood to produce an honest, provocative or explicit film about S-E-X and have it receive an R rating.
    • Feb 14, 2017
  • Review: The Comedian
  • Review: The Comedian

    Robert De Niro is in fine form here, particularly when he’s taking no prisoners in his stand-up routines.
    • Jan 31, 2017
  • More »

Comments

Subscribe to this thread:

Add a comment

Connect Today 02.23.2017

Movies This Week

More Filmtimes

or

Right Now On: Twitter | Facebook

Copyright © 2017, Connect Savannah. All Rights Reserved.
Website powered by Foundation