Favorite

LIKE CRAZY

*1/2

Three-quarters twee and one-quarter Glee, Like Crazy won the Grand Jury Prize at this year's Sundance shindig, beating out a slate of 15 other titles that included Take Shelter and Martha Marcy May Marlene. If nothing else, this stands as proof positive that even the film festivals can be as misguided in their selections as the notorious Academy of Motion Picture Arts & Sciences.

It was also a featured presentation at the Savannah Film Festival in November.

The film won a second Sundance honor for the lead performance by Felicity Jones, an acceptable selection given that she's the best thing about this film in which LA college kid Jacob (Anton Yelchin) and British exchange student Anna (Jones) hook up, only to be separated by the ocean after she willfully extends her visa stay illegally and is booted back to the UK (that these adults would be so stupid in this post-9/11 age of stringent airport laws is a daft narrative concept, but we'll let it slide).

The whole thrust of the film is that these two people should be together no matter what - think Shakespeare's Romeo and Juliet, Titanic's Jack and Rose, Brokeback Mountain's Ennis and Jack - but director Drake Doremus (scripting with Ben York Jones) doesn't make a very compelling case for his lovebirds. While it's easy to see Anna's adoration, Jacob won't even consider moving to England to be with his presumed soulmate, preferring instead to remain stateside and periodically take up with a co-worker (a wasted Jennifer Lawrence) who deserves better than the treatment he doles out to her.

Ultimately, Like Crazy is a love story about two often annoying people who don't have much discernible chemistry and are mostly bonded by their mutual love for Paul Simon. The singer's Graceland is referenced, but as these two prattled on, I only desired to hear the sound of silence.

 

 

Favorite

More by Matt Brunson

Comments

Subscribe to this thread:

Add a comment

Connect Today 10.19.2017

Latest in Film Reviews

  • Review: Blade Runner 2049
  • Review: Blade Runner 2049

    On its own terms, it’s a dazzling achievement, a heady motion picture that employs state-of-the-art visuals to punch across its alternately tough and tender story of love, loss and identity.
    • Oct 3, 2017
  • Fall Film Frenzy
  • Fall Film Frenzy

    The return of Rick Deckard, Queen Victoria … and Madea!
    • Sep 20, 2017
  • Review: IT
  • Review: IT

    This new It is a respectable addition to the King cinematic canon, but it will be the adults-only second installment that will make or break the overall project
    • Sep 14, 2017
  • More »

Movies This Week

More Filmtimes

or

Right Now On: Twitter | Facebook

Copyright © 2017, Connect Savannah. All Rights Reserved.
Website powered by Foundation