It doesn’t leave us wanting to avoid the sequel at all costs. In the YA film canon, that should be considered a positive.
Matt Brunson
Review: 300: Rise of an Empire
It’s a dull, deadening approach, the type that can probably only be truly appreciated by 15-year-old boys and serial killers.
Review: Non-Stop
Neeson’s career pirouette has blessed the action flick with a leading man who can emote as well as he can punch.
Review: Pompeii
While imitation can indeed be the sincerest form of flattery, that’s not the case when the results are as ham-fisted as those here.
Review: Robocop
Folks who wouldn’t know RoboCop from Paul Blart: Mall Cop will find the film to be a particularly joyless exercise, arid in the extreme. Aside from Jackson’s schtick, the only laughs are unintentional.
Review: Winter’s Tale
Farrell and Findlay prove to be one of the most enchanting screen couples in many a moon. Unfortunately, the movie introduces a new character midway through, and it never recovers from the miscasting of this crucial role.
Review: The Monuments Men
It’s the sort of picture that one wishes were better, as the number of missed opportunities seemingly equals the number of unexploded landmines at the war’s close.
Review: Jack Ryan, Shadow Recruit
The previous Ryan exploits were meaty endeavors, with plenty to engage our senses and our smarts — sub commander Sean Connery, Harrison Ford and black-ops leader Willem Dafoe teaming up, weary CIA specialist Liev Schreiber — but the dull Shadow Recruit is distressingly bare.
Review: Ride Along
It becomes clear that the flimsy script will offer the actors little in the way of choice quips or promising scenarios, forcing them instead to animate their characters through sheer star power alone.
Oscars: The Academy rewards
Fine films lead the Oscar slate, although Inside Llewyn Davis is left outside When the nominations for the 86th Annual Academy Awards were announced last week, the results were, for […]
Review: August: Osage County
The best performance in the film comes from Roberts, who hasn’t been this good in over a decade – she’s the real star of the movie.
Review: Lone Survivor
The middle section of the movie is so riveting and feels so realistic that the final portion proves to be anticlimactic.
