TERI YARBROW AND MAX ALMY don’t just want you to look at their work—they want you to get inside it. For the creative partners’ first appearance at the Telfair’s PULSE […]
Rachael Flora
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5 Questions with Becky Slivinsky
‘Sometimes, art is what opens people’s eyes in a different way’
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5 Questions with Jomo Kenyatta Johnson
‘I thought the story of Trayvon was contemporary enough. That’s really where the Black Lives Matter movement came from. I wanted to look at it as, is there justice beyond the grave?’
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Beacons of light
THIS FRIDAY, nautical lanterns will light the North Garden at Ships of the Sea Maritime Museum. “Beacons” is a multifaceted installation dreamed up by Karen McVay Butch and Martha Enzmann, […]
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Henry Dean looks in the Margins
‘Specifically my work is addressing landscape and environment and in a very real way, it’s getting into the environment.’
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Art in 2017: What we liked, what we didn’t…
I’VE BEEN writing this art column for a year, and what a year it’s been in this artsy town of ours. Good Stuff • There’s a lot of chaos in […]
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Are you ready for PULSE?
Now in its twelfth year, PULSE will feature several virtual reality and augmented reality (VR/AR) installations.
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Iron Logic: Everett Mayo’s exhibition up now at the Butcher
Fascinated by patterns for much of his life, Mayo saw beauty in the wrought-iron fences and gates around downtown.
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Art in the Alley helps families in need
FROM NOW through Christmas, the place to be on a Monday night is in the lane behind Circa 1875. Art in the Alley is as straightforward as it sounds: Every […]
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Welcome to Savannah, Mr. President
TONY COPE may live in Ireland now, but he’s still a Savannah writer at heart. “Hail to the Chief, Y’all! Presidential Visits to Savannah, Georgia” is Cope’s latest book. Released […]
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A collector’s passion
TO A beginner, art collecting can be daunting. The task of pairing works can seem complex and is often hit or miss, and the cost of some works is enough […]
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5 Questions with the Little Friends of Printmaking
‘It’s much more important for us to put our work into the hands and homes of the people who want it than to set an arbitrary, aspirational price point.’