DEEP STATE’s latest release, The Path to Fast Oblivion, is fast paced and urgent punk rock soundscape that seems to fit perfectly in the current American political climate, while also […]
Sean Kelly
Posted inSpecial Issues
The Joy Formidable brings wall of sound to Stopover
Their most recent effort, 2018’s AARTH, is a natural and brilliant evolution of their sound
Posted inSpecial Issues
Local Stopover Artists, Unite!
Aaron Paul Zimmer @Ships of the Sea Maritime Museum Troubadour is an oft-overused word that seems to be thrown around a bit too liberally when it comes to the singer/songwriter […]
Posted inMusic & Clubs
Nick Hickman @Saddle Bags
If you love good modern country, look no further than Hickman
Posted inSpecial Issues
Pylon Reenactment Society brings stellar legacy to Stopover
A talk with Vanessa Briscoe Hay and Jason NeSmith
Posted inSpecial Issues
Skylar Gudasz brings moving voice, ace songwriting to Stopover
It’s an addictive collection of high quality indie rock-meets-Americana, and every song is an absolute earworm
Posted inMusic & Clubs
Teddy Adams Sextet @Good Times Jazz Bar & Restaurant
It’s rare to get the chance to see someone so uniquely talented and with such a large and equally-skilled band
Posted inMusic & Clubs
Jason Bible’s Anicca is an artistic home run
As part of The Train Wrecks, Bible has woven himself into the fabric of the Savannah music community and continues to thrive over a decade later
Posted inMusic & Clubs
Mary Grace Comber @Foxy Loxy Cafe
Foxy’s acoustic series is never something to miss if you love live music
Posted inMusic & Clubs
AFTM @Barrelhouse South
The six-piece offers a blend of soulful melodies, high energy and classic rock guitar hooks
Posted inMusic & Clubs
David Bankston’s storied musical journey
While still in high school, he collaborated with the acclaimed Sam Broussard and legendary guitarist Sonny Landreth, among others
Posted inMusic & Clubs
Bloodkin’s rock ‘n’ roll fantasy lives on
When you talk to Daniel Hutchens, you quickly realize that the reason they’ve become so ingrained in that scene is because Athens isn’t about genre – it’s about community