Three years ago this week, in these very pages, we reported on what seemed to be the death knell for community theater in Savannah. The story, headlined The Final Curtain?, […]
Theatre
‘He ate Savannah with a spoon’
Miriam Center knew Johnny Mercer well in the last decade of the great songwriter’s life. Both were Savannah natives, and they shared not only a deep love for the old […]
The dark side of the stage
There’s an argument to be made that the Biblical tale of Judas is one of the great modern–day horror stories.Stephen Adly Guirgis’ The Last Days of Judas Iscariot is one […]
The summer of our discontent
Sebastian Venable is dead. This much we know. Although the events in Tennessee Williams’ Suddenly Last Summer take place after Sebastian’s death on a hot beach in Spain, he is […]
How do you Q?
Rodgers and Hammerstein would roll over in their respective graves if they heard “It Sucks To Be Me,” “Everyone’s a Little Bit Racist” and “I’m Not Wearing Underwear Today,” songs […]
We’re all crazy now
Spoiler alert: The first thing you need to know about What the Butler Saw is that there is no butler among the characters. Or rather, consider the possibility that you […]
Blonde ambition
Give me three weeks, Benjamin Wolfe tells his students, and I’ll make a better actor out of you. Wolfe is the founder and director of the Savannah Summer Theatre Institute, […]
Parallel people
Parallel Lives opens with two angels working out the advance details of humankind, starting with skin tones, an assignment from “The Big Guy” upstairs. His name is Cliff. Women, the […]
Wrestling with laughter
Comedian Greg Warren has been on a Savannah stage just once before. In February 2011, he performed at the Johnny Mercer Theatre with the “John Boy and Billy No Collar […]
Flannery onstage
Some of the best works of literature just don’t translate to the stage. That’s why, despite attempts by the most well–intentioned dramatists over the years, the fiery fiction of Georgia’s […]
La Vie Boheme!
Few modern theatrical works have galvanized audiences around the world like Rent, Jonathan Larson’s musical about young New Yorkers dealing — as best they can — with poverty, betrayal and […]
Stage works: No Exit and Anon(ymous)
The French existentialist Jean–Paul Sartre’s play Huis–Clos arrived on Broadway in 1946, adapted into English, by Paul Bowles, as No Exit. The one–act play can be summarized in one of […]
