All these films are streaming on Amazon, Hulu, or Netflix and will keep you sane until the world reopens
cinemasavannah
A Vigilante is one of the week’s highlights
A HEARTFELT thanks to all the Film Scene readers who came out to the Savannah Cultural Arts Center for last week’s debut installment of the Double-Vision Film Series, jointly curated […]
Last chance to see some Oscar winners in the theatre
WELCOME BACK to another Film Scene – the area’s only weekly preview of all the noteworthy “alternative cinema” events taking place in and around these parts. We begin with an […]
Two fests and Musical Matinees
The next seven days are a veritable Vinnie’s calzone of specialty cinema.
La Dolce Vita, The Joker and more round out the week’s offerings
Such a sizable turnout for an example of edgy, foreign fare such as ‘Parasite’ demonstrates an increasing awareness of—and interest in—such selections in our market
Marriage Story, Parasite, Lucas films are highlights
Please support as many of the worthwhile big-screen happenings featured in Film Scene as you care to
Midway to Ford v Ferrari
A look at all the noteworthy alternative cinema events taking place over the next week or so
Anime, Peter Jackson, and Citizen Kane
Its cinematography by the great Gregg Toland demands to be appreciated in a theatrical setting such as the Tybee Post.
The Irishman and Philip Glass
On Nov. 27, in what stands as something of a coup for Tybee Post Theatre, they’ve snagged the Savannah area’s sole engagement of fabled filmmaker Martin Scorsese’s latest gangster epic,
Rare docs, Mountainfilm, and a Queen of Hearts
The next seven days or so hold plenty of interesting specialty cinema events as well
Ghosts & gangsters — and the best movie of the year?
If you’re looking for something a little off the beaten path, as far as big screen fare goes, this week’s installment of Film Scene should provide a road map to these options
CinemaSavannah celebrates move with the Queen of Soul
TOMASZ WARCHOL first heard Aretha Franklin’s album “Amazing Grace” in the mid-70s. The live album was a commodity in communist Poland, Warchol remembers. He’d had to bring it in from […]
