As we f-bomb the hell out of the early afternoon graveyard hebetude, I marvel that couched in the rounded vowels of Miriam’s elegant Savannah drawl, profanity somehow comes out sounding musical.
Tom Coleman
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Tom Coleman takes Godspell to the next level
NATIVE SAV theatre geeks know Tom Coleman III. A beloved director, producer, and mentor, Coleman’s pupils have gone on to achieve great things: Tony nominations, Broadway performances, and even co-founding […]
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The power of ‘Luv’
After more than four decades, Carl Rosengart discovered this unshakeable truth: All you need is Luv. Rosengart, a neurologist who spent 22 years as the senior vice president of medical […]
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Theater: Coward’s comedy
If Pepi Streiff seems a bit distracted lately, it may be because she’s having to learn a lot of lines in a very short time. “I got the script on […]
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Theater: Whodunit?
Imagine putting on a mystery that has 216 possible endings. It’s a mystery to me why anyone would want to attempt it. But the folks at Savannah Community Theatre enjoy […]
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Words of love
Can two people fall in love, even if they never meet face to face? Author Helene Hanff suggests that they can in her book, 84 Charing Cross Road. She should […]