Paul Janeway grew up in a strict Pentecostal home. Black gospel music was common in his church services.
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Review: Robocop
Folks who wouldn’t know RoboCop from Paul Blart: Mall Cop will find the film to be a particularly joyless exercise, arid in the extreme. Aside from Jackson’s schtick, the only laughs are unintentional.
Review: Winter’s Tale
Farrell and Findlay prove to be one of the most enchanting screen couples in many a moon. Unfortunately, the movie introduces a new character midway through, and it never recovers from the miscasting of this crucial role.
All aboard the Velvet Caravan
More than just a carbon-copy of the gypsy jazz laid down by Django Reinhardt and Stephane Grappelli, Acoustic in Nature is wild, swinging and more fun than any of us really deserve.
Review: Ride Along
It becomes clear that the flimsy script will offer the actors little in the way of choice quips or promising scenarios, forcing them instead to animate their characters through sheer star power alone.
Review: Inside Llewyn Davis
In the best film of 2013, Oscar Isaac plays a folksinger in 1961 New York who’s just waiting for that big break.
Review: August: Osage County
The best performance in the film comes from Roberts, who hasn’t been this good in over a decade – she’s the real star of the movie.
January and slightly beyond
Meklit Hadero’s music seems to have been seeded by, among others, Ani DeFranco, Tracy Chapman, Nina Simone, Norah Jones and Regina Spektor.
Review: American Hustle
Deliriously alive on screen, with an energy that’s often electrifying.
Review: The Secret Life of Walter Mitty
For all its humanist swagger, The Secret Life of Walter Mitty feels only slightly less synthetic than Velcro.
Review: Grudge Match
The pitch probably had Hollywood suits salivating: Sylvester Stallone and Robert De Niro play former pugilists who plan to get back into the ring 30 years after their previous bouts.
Review: The Hobbit: The Desolation of Smaug
Flows more gracefully than its predecessor.
