In addition to simply being a finely and tastefully crafted film, it doesn’t trivialize the abuse through maudlin sentimentalism, preferring instead to let story and characters largely speak for themselves without emotional manipulation.
Film Reviews
Review: Our Brand Is Crisis
Scripter Peter Straughan packs the proceedings with numerous moronic interludes, the sort more at home in a broad Will Ferrell comedy than an ostensibly hard-hitting political drama.
Savannah Film Festival Review: Legend
At no point do the film’s special effects, allowing Tom Hardy to play both roles, interfere. Very quickly, within the first minute or two, you become completely immune to Hardy being on screen as both identical twin Kray brothers at the same time.
Review: Steve Jobs
Ultimately, this feels like the middle episodes of a six-part miniseries. At 122 minutes on the big screen, it’s still a noteworthy achievement, even if it only partly gets Jobs done.
Review: Bridge of Spies
A classy, highbrow, important picture, the sort designed to nab Oscar nominations by the fistful. It’s also Steven Spielberg continuing his march toward the status of elder statesman of the American cinema.
Review: Crimson Peak
Del Toro clearly means for Crimson Peak to register as a throwback to classic films steeped in Gothic ambience, but he piles on the artifice to such an excessive degree that the entire project suffers from overbearing overkill.
Review: Sicario
“Nothing will make sense to your American ears,” Alejandro tells Kate. “But in the end, you will understand.” That proves to be an opinion, not a guarantee, and Sicario excels in the manner in which it keeps its intentions close to its chest.
Review: The Martian
Perhaps not since Ron Howard’s 1995 Apollo 13 has a movie paid such loving tribute to star-struck visionaries and their egghead enablers, those brainiacs who work tirelessly to send them soaring past the heavens and just as feverishly toil to return them safely to the fold.
Review: The Intern
The occasional Silver Linings Playbook aside, the deterioration of De Niro’s career has been swift and brutal, the result of too many bald lunges at sizable paychecks. So it’s nice to see him underplaying rather than overacting, delivering a relaxed, sympathetic performance and matching up nicely with Anne Hathaway’s comparatively jittery character.
Review: Black Mass
Practically unrecognizable with that bald pate and those blue-sky contact lenses, Depp projects ferocious intensity as real-life crime boss James “Whitey” Bulger, who spent over a decade as the #2 man on the FBI’s 10 Most Wanted Fugitives list, right under some fellow named Osama bin Laden.
Review: No Escape
It’s easy to understand why this movie is getting hammered in many quarters as offensive agitprop. But I’d be lying if I didn’t admit that No Escape works on a gut level – I haven’t seen a more intense motion picture during all of 2015.
Review: The Man From U.N.C.L.E.
This new film may not quite match the intensity or excitement of Tom Cruise’s newest Mission Impossible edition, but it’s nevertheless a worthwhile endeavor, with director Guy Ritchie toning down the spastic shooting style that all but destroyed his Sherlock Holmes films with Robert Downey Jr.
