An honorable look back at the olden, golden days of the studio system, when most movies were filmed on backlots and actors had strict contracts with particular companies. It touches upon numerous elements of the era, from manufactured romances between young talents to the rise of Communism in the film industry.
Film Reviews
Review: The Finest Hours
It’s likely that a History Channel documentary relying on vintage photos and talking-head interviews of those involved with the 1952 rescue would have been more emotionally stirring than this production.
Shining a Spotlight on Oscar contenders
Mad Max: Fury Road takes the lead with nominations, #OscarsSoWhite trends again, and more from this year’s crop.
Review: Dirty Grandpa
97 minutes of watching Robert De Niro once again mug shamelessly, Zac Efron once again display all the comic instincts of a dead hornet, and filmmakers once again assume that profanity and scatology are worthy replacements for wit and timing.
‘Strange But True’ Documentary Film Fest comes to Muse
A two-day nonfiction bender highlighting some of the most touching, surprising, and funny stories that are often overlooked in the cinema world.
Review: Ride Along 2
Ice Cube and Kevin Hart again work well together, although this time there are limitations – while I’ve been praising Hart in one mediocre movie after another, this is the first time that his shtick finally starts to wear thin.
Review: The Revenant
The picture is a bruising beauty in terms of its visuals, but Iñárritu’s artfulness too often feels at odds with the threadbare story,
Review: The Hateful Eight
The film moves on the screen like a cheetah on fire, feeling far shorter than many of the 100-or-so-minute duds I’ve endured this year.
Review: The Big Short
The script’s great swatches of humor, and superlative performances by the entire cast (including Steve Carell and Christian Bale as two of the outsiders who saw the crisis coming and sought to profit from the banking industry’s greed and stupidity), the film lays out the case in layman’s terms.
Review: Star Wars: The Force Awakens
The original stars haven’t lost a beat with their characterizations, while the newcomers prove to be an irresistible lot. The casting of a woman and a black man in the central roles doesn’t feel like forced political correctness but a natural progression, and the characters are two of the richest yet seen in the Star Wars universe.
Review: Sisters
As with everything they do together, Fey and Poehler are such the BFFs – and respond to each other accordingly – it’s impossible to accept them as related by blood.
Review: In the Heart of the Sea
IN THE HEART OF THE SEA *1/2 DIRECTED BY Ron Howard STARS Chris Hemsworth, Benjamin Walker As much an introspective character study as an exciting racing flick, 2013’s Rush examined […]
